Black Sabbath
13

The magnificent farewell album of the founders of heavy and doom metal! 10 10!

No matter what you say, there is no arguing against the established truth: Black Sabbath, as a symbol, like Walder Frey from rock, having taken a thought, stoner and sludge out of his army loins, has only one successful composition. Iommi, Osborn, Butler. Everything else is interchangeable, and, in general, it has a mediocre attitude to the cult of Black Saturday. Even an adherent of the Ward drum kit sealed with yellow stickers. Even the voice of God Dio. Even the soundly cosplaying Metatron Martin. The three pillars indicated are again together, in the studio, for the first time in thirty-five years. And despite the illnesses, the climax, the alcoholic drug corkscrew, and the illusory prospects of his wife’s boot in the ass caused by him, the fathers (yes, grandfathers) lived up to expectations (very optimistic, I must say) to the fullest: from the bowels of Vertigo Records a viscous glutton crawled out a homunculus that swallowed three decades without Ozzy and did not even burp at the same time. Yes. Yes! “13” from its six ideological predecessors, the last of which was released in 1975, is distinguished only by a modernized sound, no more. This frightened away and disappointed many people: “Fe, I heard an echo of the Black Sabbet song in the End of the Beginning”, “The Spirit of Time is undisguised self-plagiarism from the Planet Caravan, how so.” Alle, garage. You are talking about the first album of the original Black composition, their mother, Sabbet, in three decades and seriously expect to hear something “fresh” there, while millions of people like me pray to the black goat and bite their bats off in the name of creating “Master of Reality” vol.2 "! What are you against us? Hhykhy. I must say, bitten boshki night bloodsuckers did not disappear in vain. We got a pure Black Sabbath extract, instantly recognizable and at the same time incredibly far from self-plagiarism, for which many have the habit of accepting fine-cut handwriting. This is the music from which our grandfathers and fathers dragged. To be honest, I don’t know which album along with this can unite several generations. To combine ecstasy into a frenzy with the classic Sabbetic quality, into which End Of The Beginning, God Is Dead?, Damaged Soul break down. Yes, I hear familiar riffs, and each of them leads me into a frantic thrill: “Hole in the Sky”, “Into the Void”, “Children of the Grave”, “Black Sabbath” - all of which are fundamental for metal, carefully polished, carefully sewn into this album, filled with references to the Golden Era of Black Saturday and completed with the sounds of rain and distant uncertain knocking on the bell, clearly hinting that it is unlikely to happen again. Finally, for the first time in several decades, Black Sabbath won the Black Sabbath of the Year nomination, despite its unusually powerful competitors. Amen.

The band returned with a new album. How can geniuses be evaluated? Album of year. And that says it all

I think 13 as one very good Sabbath album. Comparisons with The Devil You Know, by Heaven and Hell were made, but both are goid and maybe 13 is superior. Loner, God is Dead, The End of Beggining are great songs with the Black Sabbath trademark.

This is perfect doom metal of black sabbath. Previous albums are very good. And this album ıs completely perfect. Sound ıs retro and modern style mixing. Thıs wıll be one of the My favorıte album all of the tıme. Thank you Black Sabbath

43 years have passed since the first Black Sabbath album. Ozzy Osbourne Until 1978, the Never Say Die! album, the band's lead singer. This period was the Sabbath best years. Until 1995, the Forbidden album, inclusive, are made of different singers on the album. Mostly filled with good music. After several reunion plans in 2010, teamed up with the original band again. The Ozzy, Tony Iommy, Geezer Butler and Bill Ward Quartet. In 2013 they came out with a brand new studio material. Unfortunately, due to the problems, Bill Ward CD recordings could not be there. The drum parts played by Brad Wilk. The album, worthy of the early albums true Sabbath Black Sabbath sound.

masterpiece it is a pity that the last time they may change their minds ?

Neues und vermutlich das letzte Album im "alten" Stil. Perfekt.

Irgendwie sind mir die ganz alten Sachen lieber. Kommt zwar glaubhaft rüber, wirkt für mich trotzdem wie der Wunsch sich selber zu kopieren. Empfehle an dieser Stelle die deutsche Band Kadaver und ihr gleichnamiges Album!

Buen álbum de la banda. Muestra el sonido de sus primeros años pero sin lograr esa genialidad que tenía. Faltó esa chispa que hacía de los temas un clásico. El álbum para nada es malo, pero da la sensación que le faltó algo. Incluye un folleto de ocho páginas con la letra de las canciones y los agradecimientos de los integrantes de la banda.