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| Details / Tracklist: |
 01. "Alone Again or" 02. "A House Is Not a Motel" 03. "Andmoreagain" 04. "The Daily Planet" 05. "Old Man" 06. "The Red Telephone" 07. "Maybe the People Would Be the Times or Between Clark and Hilldale" 08. "Live and Let Live" 09. "The Good Humour Man He Sees Everything Like This" 10. "Bummer in the Summer" 11. "You Set the Scene"
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 | | Extra-Infos: |
Numbered/ Hybrid Sacd |
| | Description: | Forever Changes by Love, released 4 December 2014, includes the following tracks: "Andmoreagain", "Old Man", "Maybe The People Would Be The Times Or Between Clark And Hil", "The Good Humor Man He Sees Everything Like This" and more.
This version of Forever Changes comes as a 1xSuper Audio. - NUMBERED/HYBRID SACDLove Forever Changes on Numbered Edition SACDLove Anticipates Late 1960s Turbulence Via Prophetic Songs and Dark ThemesAny discussion about the finest psychedelic rock record ever recorded is incomplete if it doesn't grant consideration to Love's Forever Changes. Ranked by Rolling Stone as the 40th greatest album ever made, and named by Mojo the second-greatest psychedelic set in history, the effort is an internationally recognized seminal work of art. Transcending language and convention, it's magnitude and magnificence need to be heard again and again. For here is an effort whose mind-boggling acoustic complexities and kaleidoscopic nuances are tailored for high-fidelity playback.Commercially ignored upon release in November 1967, Forever Changes confronts the alienation, paranoia, violence, and strife that would soon plague the countercultural movement and send the Summer of Love into a tailspin. Apart from it's lyrical themes and prescient malaise, the record's enduring nature equally owes to intertwined arrangements sewn together with Latin guitar-picked lines, finessed folk harmonies, mariachi-inspired horn charts, and subdued strings.The seemingly opposing combination - ominous, dark reflections situated amidst lush, light melodic beds - affords Forever Changes a distinguished tension of claustrophobia and openness, dourness and ecstasy, ugliness and elegance enjoyed by no other record in the rock canon. Much of the contrast owes to leader Arthur Lee's mental state and pertinent observations. Lee, whose suppressed romanticism often surfaces even amidst the blackest shadows and most cynical moments, believed he would soon die, and hence channeled everything from lasting hopes to acid-addled decay to the chilling testimony of a Vietnam veteran in his narratives.Alternatively sad and beautiful, the album-opening and flamenco-inspired 'Alone Again Or' establishes the mood for what follows. Vocals overlap and soar; tempos rise and fall; surrealism trades places with reality. Forever Changes thrives both because of and in spite of a surfeit of labyrinthine chords and difficult notes that never repeat. It's ambitious construction almost forced the already fractured band to cede responsibilities to session musicians, which appear on two tracks. The quintet's resolve to not only complete the album, but to do so with such poignancy and curiosity, further enhances Forever Changes' standing.No wonder that, in the twilight of his troubled career, Lee performed the record in it's entirely during concerts met with overwhelming critical acclaim. It was, and will always be, a personal manifesto of timeless relevance and appeal.? 1967 & 2014 Elektra Entertainment Group
© 2014 Mobile Fidelity Sound Lab, Inc.
[Back cover]
Made in the U.S.A.
[Spine]
Printed in the U.S.A.
Released as a 4-panel digisleeve with a 4-panel MoFi leaflet.
This release has no booklet.
Track durations are not printed on the release
| | | No. of tracks: |
11 |
| | Manufacturer No.: |
UD 2131 |
| Product Safety
Responsible Person for the EU:
recordJet GmbH
TorstraÃ?e 60, 10119 Berlin, DE
support@recordjet.com | |
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