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Disc 01
Johannes-Passion BWV 245 (Gesamtaufnahme) 01. "Chor: Herr, unser Herrscher" 02. "Rezitativ: Jesus ging mit seinen J?ngern" 03. "Chor: Jesum von Nazareth!" 04. "Rezitativ: Jesus spricht zu ihnen" 05. "Chor: Jesum von Nazareth" 06. "Rezitativ: Jesus antwortete" 07. "Choral: O gro?e Lieb'" 08. "Rezitativ: Auf da? das Wort erf?llet w?rde" 09. "Choral: Dein Will gescheh, Herr Gott, zugleich" 10. "Rezitativ: Die Schar aber und der Oberhauptmann" 11. "Arie: Von den Stricken meiner S?nden" 12. "Rezitativ: Simon Petrus aber folgete Jesu nach" 13. "Arie: Ich folge dir gleichfalls" 14. "Rezitativ: Derselbige J?nger war dem Hohepriester bekannt" 15. "Choral: Wer hat dich so geschlagen" 16. "Reziativ: Und Hannas sandte ihn gebunden" 17. "Chor: Bist du nicht seiner J?nger einer" 18. "Rezitativ: Er leugnete aber" 19. "Arie: Ach, mein Sinn" 20. "Choral: Petrus, der nicht denkt zur?ck" 21. "Choral: Christus, der uns selig macht" 22. "Rezitativ: Da f?hreten sie Jesum" 23. "Chor: W?re dieser nicht ein ?belt?ter" 24. "Rezitativ: Da sprach Pilatus zu ihnen" 25. "Chor: Wir d?rfen niemand t?ten" 26. "Rezitativ: Auf da? erf?llet w?rde das Wort Jesu" 27. "Choral: Ach gro?er K?nig" 28. "Rezitativ: Da sprach Pilatus zu ihm" 29. "Chor: Nicht diesen, sondern Barrabam" 30. "Rezitativ: Barrabas aber war ein M?rder" 31. "Arioso: Betrachte, meine Seel" 32. "Arie: Erw?ge, wie sein blutgef?rbter R?cken"
Disc 02
01. "Rezitativ: Und die Kriegsknechte flochten" 02. "Chor: Sei gegr??et, lieber J?denk?nig!" 03. "Rezitativ: Und gaben ihm Backenstreiche" 04. "Chor: Kreuzige, kreuzige!" 05. "Rezitativ: Pilatus sprach zu ihnen" 06. "Chor: Wir haben ein Gesetz" 07. "Rezitativ: Da Pilatus das Wort h?rete" 08. "Choral: Durch dein Gef?ngnis, Gottes Sohn" 09. "Rezitativ: Die Juden aber schrien - L?ssest du diesen los" 10. "Rezitativ: Da Pilatus das Wort h?rete" 11. "Chor: Weg, weg mit dem" 12. "Rezitativ: Spricht Pilatus zu ihnen" 13. "Chor: Wir haben keinen K?nig" 14. "Rezitativ: Da ?berantwortete er ihn" 15. "Arie: Eilt, ihr angefochtnen Seelen" 16. "Rezitativ: Allda kreuzigten sie ihn" 17. "Chor: Schreibe nicht, der J?den K?nig" 18. "Rezitativ: Pilatus antwortet" 19. "Choral: In meines Herzens Grunde" 20. "Rezitativ: Die Kriegsknechte aber" 21. "Chor: Lasset uns den nicht zerteilen" 22. "Rezitativ: Auf da? erf?llet w?rde die Schrift" 23. "Choral: Er nahm alles wohl in acht" 24. "Rezitativ: Und von Stund an" 25. "Arie: Es ist vollbracht!" 26. "Rezitativ: Und neigte das Haupt und verschied" 27. "Arie: Mein teurer Heiland" 28. "Rezitativ: Und siehe da" 29. "Arioso: Mein Herz, indem die ganze Welt" 30. "Arie: Zerflie?e, mein Herze" 31. "Rezitativ: Die Juden aber" 32. "Choral: O hilf, Christe, Gottes Sohn"
33. "Rezitativ: Darnach bat Pilatum"
34. "Chor: Ruht wohl, ihr heiligen Gebeine"
35. "Chor: Ach Herr, la? dein lieb Engelein"
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 | | Extra-Infos: |
Hallenser Madrigalisten/ Virtuosi Saxoniae/ L.guttler |
| | Description: | J.S. Bach composed his St John Passion during his first winter in Leipzig, in advance of the Good Friday Vespers service of 1724. It is written for an intimate ensemble (much more modest than the scoring of his later St Matthew Passion) and was originally to be performed in the Thomaskirche, being moved to the Nikolaikirche at short notice. The music is a vivid representation of Christ's Passion as told in St John's Gospel, constructed of recitatives and choruses, with commentary in reflective chorales, ariosos and arias. The music is, by nature of the story, inherently dramatic, and tells the story of Jesus' death through the words of the Evangelist (tenor), Christ (bass) and a number of smaller roles including Pilate and Peter. Few who attended the service in the Nikolaikirche can have experienced, outside of the opera house, a work on the scale of the St John Passion, one that included such a large proportion of recitative. Today it, together with the St Matthew Passion, is regarded as a masterpiece of devout Lutheran church music, but in it's day it must have sounded radical. That being said, the chorales (or "hymns") within the work were designed to involve everyone in the performance, and these would have been familiar to the congregation (Melchior Vulpius's melody, for instance) - whether or not they ended up singing them. Some of the most affective moments of the work occur in these chorales as well as in the arias, which are remarkable for their range of expression as well as their instrumentation. Take, for instance, the poignant use of the bass viol in the accompaniment of Jesus' last words on the cross in the expressive aria 'Es ist vollbracht'. A masterpiece of expression and theatricality such as the St John Passion requires a masterful interpretation; in this recording, under the baton of Ludwig Güttler - who shot to fame as a Baroque trumpeter - the Hallenser Madrigalisten and Virtuosi Saxoniae rise to the challenge, giving a "technically accomplished andexpressive" performance (Gramophone). They are joined by acclaimed tenor Christoph Genz in the role of the Evangelist and Egbert Junghanns as Jesus.Bach's Johannes Passion may be on a smaller scale than the Matthäus Passion, it is by no means less monumental or dramatic. This reissue of a Berlin Classics recording achieves with it's relatively small ensemble and choir an intimate yet powerful performance in which the drama of Christ's suffering is presented in deeply moving arias and chorales.Played on modern instruments the Virtuosi Saxoniae under Ludwig Güttler adhere to the principles of Historically Informed Performance Practice. The soloists include Christoph Genz, Christiane Oelze and Egbert Junghanns. | | | No. of tracks: |
67 |
| | Manufacturer No.: |
1095108BRC |
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