| Details / Tracklist: |
: Concerto no. 1 in D major for 4 Violins, RV 549 () 1-1: Concerto no. 1, I.Allegro (3:00) 1-2: Concerto no. 1, II.Largo, e spiccato (2:25) 1-3: Concerto no. 1. III.Allegro (2:25) : Concerto no. 2 in G minor for 2 Violins, RV 578 () 1-4: Adagio e spiccato (1:32) 1-5: [Allegro] (2:16) 1-6: Larghetto (2:36) 1-7: Allegro (2:24) : Concerto no. 3 in G major for Violin, RV 310 () 1-8: Allegro (2:13) 1-9: Largo (1:56) 1-10: Allegro (2:19) : Concerto in F major for Harpsichord, BWV 978 () 1-11: Allegro (2:35) 1-12: Largo (2:07) 1-13: Allegro (2:42) : Concerto no. 10 in B minor for 4 Violins, RV 580 () 1-14: Allegro (3:37) 1-15: Largo (2:07) 1-16: Allegro (3:13) : Concerto in A minor for 4 Harpsichords and Strings, BWV 1065 () 1-17: [Allegro] (3:57) 1-18: Largo ? Larghetto ? Largo (2:06) 1-19: Allegro (3:35) : Concerto no. 11 in D minor for 2 Violins and Cello, RV 565 () 1-20: Allegro (0:45) 1-21: Adagio e spiccato. Allegro (3:01) 1-22: Largo (2:15) 1-23: Allegro (2:27) : Concerto in D minor for Organ, BWV 596 () 1-24: [Allegro] ? Grave ? Fuga (4:49) 1-25: Largo e spiccato (2:46) 1-26: [Allegro] (2:58) : Concerto no. 12 in E major for Violin, RV 265 () 1-27: Allegro (3:36) 1-28: Largo (3:56) 1-29: Allegro (2:43) : Concerto in C major for Harpsichord, BWV 976 () 2-1: [Allegro] (4:00) 2-2: Largo (3:34) 2-3: Allegro (3:18) : Concerto no. 4 in E minor for 4 Violins, RV 550 () 2-4: Andante (2:05) 2-5: Allegro assai (2:13) 2-6: Adagio (0:42) 2-7: Allegro (2:03) : Concerto no. 5 in A major for 2 Violin, RV 519 () 2-8: Allegro (2:53) 2-9: Largo (1:52) 2-10: Allegro (2:36) : Concerto no. 6 in A minor for Violin, RV 356 () 2-11: Allegro (2:55) 2-12: Largo (2:40) 2-13: Presto (2:23) : Concerto no. 7 in F major for 4 Violins, RV 567 () 2-14: Andante (3:17) 2-15: Adagio (1:34) 2-16: Allegro (2:27) 2-17: Adagio (1:01) 2-18: Allegro (1:28) : Concerto no. 8 in A minor for 2 Violins, RV 522 () 2-19: Allegro (3:14) 2-20: Larghetto e spiritoso (3:31) 2-21: Allegro (3:04) : Concerto in A minor for Organ, BWV 593 () 2-22: [Allegro] (3:40) 2-23: Adagio (3:40) 2-24: Allegro (3:42) : Concerto no. 9 in D major for Violin, RV 230 () 2-25: Allegro (2:07) 2-26: Larghetto (3:22) 2-27: Allegro (2:10) : Concerto in D major for Harpsichord, BWV 972 () 2-28: [Allegro] (2:14) 2-29: Larghetto (3:27) 2-30: Allegro (2:28) |
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| Description: | Vivaldi & Bach 12 Concertos Op. 3 is an album by Rinaldo Alessandrini/ Concerto Italiano, released in 2022. The album is a classical 2-CD.
By its title and its twelve violin concertos, Vivaldiâ??s Lâ??estro armonico immediately captures the imagination. Rinaldo Alessandrini and his Concerto Italiano, with the
addition of high-calibre keyboardists, present the full collection with the six additional adaptations for keyboard by Bach. This Opus 3 published by Vivaldi in
1711 vibrates with the virtues of a poetic energy taken to the highest level of expressivity, embodied in the subtle and virtuosic exchanges between a string
orchestra and four, two, then one solo violins. The stylistic principles developed in each piece were completely new and inspired for the time, the virtuosity intense,
and the success considerable, rapidly reaching beyond the frontiers of La Serenissima. Which is how Bach, seven years younger than Vivaldi and drawn to
the polyphonic dimension of these â??multi-voicedâ? pieces, adapted several of them for organ and harpsichord. - .. CONCERTOS OP. 3 L'ESTRO ARMONICOBy it's title and it's twelve violin concertos, Vivaldi's L'estro armonico immediately captures the imagination. Rinaldo Alessandrini and his Concerto Italiano, with the addition of high-calibre keyboardists, present the full collection with the six additional adaptations for keyboard by Bach. This Opus 3 published by Vivaldi in 1711 vibrates with the virtues of a poetic energy taken to the highest level of expressivity, embodied in the subtle and virtuosic exchanges between a string orchestra and four, two, then one solo violins. The stylistic principles developed in each piece were completely new and inspired for the time, the virtuosity intense, and the success considerable, rapidly reaching beyond the frontiers of La Serenissima. Which is how Bach, seven years younger than Vivaldi and drawn to the polyphonic dimension of these "multi-voiced" pieces, adapted several of them for organ and harpsichord. |
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05225272 |
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