Polly Rappaport - 28/Feb/2011  There’s a peculiar emphasis in the press release that accompanies Wire’s new album: This record was written and recorded “with no guests”. Is this def...
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Jim Bush - 31/Jan/2011  I don’t put too much credence to the notion that a band should stop putting out music after their prime to avoid tarnishing their legacy. Most of the ...
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| Don Yates - 28/Jan/2011 The veteran British art-punk band’s 12th album is one of their strongest latter-day recordings, which finds them continuing to take their chilly, cere...
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Graham Reid - 26/Jan/2011  In the late 70s Wire delivered a trifecta of classic post-punk, minimalist and arty albums - Pink Flag, Chairs Missing and 154 - then called it a day....
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Areti Sakellaris - 26/Jan/2011  There will always be something tantalizing about the three-piece band that sparked a million basement musicians to play more feverishly. Responsible f...
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cloudspeakers - 25/Jan/2011  “Fuck off out of my face! You take up too much space!” snarls Wire’s Colin Newman on ‘Please Take’, the opening cut from the band’s 12th studio album....
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Sam Kinchin-Smith - 21/Jan/2011  This is going to look gimmicky, so apologies in advance. But I reckon it’s at least a bit worthwhile… An interesting way of approaching Red Barked Tre...
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Jelone - 21/Jan/2011  Outside of open hostilities, there’s something to be said for taking a hiatus instead of outright breaking up forever. Post-punk founders Wire have co...
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| John Calvert - 21/Jan/2011 Despite fear-mongering from the messageboard Taliban, and some irate letter-writing from pearl-clutching oldies, Red Barked Tree is a Wire album, thro...
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| cloudspeakers - 20/Jan/2011 For the most part, the bands that came from the punk explosion of the 70s fell into one of three categories as the decades passed. The most common was...
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